Get all 113 GNAW THEIR TONGUES releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of To Atonement I Am Avowed (demo I 1991), An Undimensional Experience Of Beauty... But Behind The Mask You Find Filth...(Demo I 1993), They fell...(demo II 1992), Away, Into The Moonclad Skies, Rehearsal '94, demo II '93, Shapeless Misery, I am, Thou art , They Will (1998), and 105 more.
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GNAW THEIR TONGUES Smallingerland
This site includes work from my projects: Gnaw Their Tongues, Aderlating, De Magia Veterum, Seirom and many more.
If you like GNAW THEIR TONGUES, you may also like:
CALIGULA
by LINGUA IGNOTA
supported by 20 fans who also own “A Raven Flew Over The Land Of The Beheaded Children EP 2013”
This is powerful and evocative stuff; the interplay of harrowing pathos and light. At times, it sounds like Kate Bush in an oil drum full of nails rolling down a hill, at others it is transcendent. Like seeing the beauty of cathedral ornament, while feeling the cold dead stone of the structure.
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Tchornobog
by Tchornobog
supported by 20 fans who also own “A Raven Flew Over The Land Of The Beheaded Children EP 2013”
A lovely addition to my sax metal playlist
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Skáphe²
by Skáphe
supported by 19 fans who also own “A Raven Flew Over The Land Of The Beheaded Children EP 2013”
The mind-bending continues. How the hell do you write this stuff?
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Memory Bed – EP
by drowse
Influenced by music of the Pacific Northwest, drowse riffs on detachment, memory and the relationship to "self."
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Indifferent Rivers Romance End
by Wreck and Reference
Wreck and Reference expand on their metal base to deliver a masterfully-wrought album of pain and desperation.
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H.A.Q.Q.
by Liturgy
Hunter Hunt-Hendrix explores his "uniquely marxist and psychoanalytic vision of God" on Liturgy's expansive, surprise-released LP.
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Söngvar elds og óreiðu
by Misþyrming
supported by 18 fans who also own “A Raven Flew Over The Land Of The Beheaded Children EP 2013”
I love Algleymi very much but there’s one area in which this is superior: production, especially the drums. Otherwise they’re two quite different records, but both are black metal classics as far as I’m concerned. Hopefully we won’t have to wait long to hear more.
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